I Know We Are Dependent On Oil, But How Close Would You Live To An Refinery

Anne Brown at her home near Fort Saskatchewan, Alberta on June10, 2010. Anne Brown is an intervener in an Energy Resources Conservation Board hearing on a proposed new bitumen upgrader in the area by France's Total oil company. Photo by Jimmy Jeong

Dubbed Alberta's Industrial Heartland, Fort Saskatchewan (an Edmonton suburb) residents are faced with the construction of another bitumen upgrader. This one by France's Total Energy. The construction in the area has brought jobs and wealth to the region but the story is more complicated than that. So, you really should read the Globe And Mail story to get a grasp of everything involved. The thing is, it might affect more than just the residents in the area.

Potatoe farmer Wayne Groot stands on one of the fields he farms across from the Shell Scotford upgrader near Fort Saskatchewan, Alberta on June10, 2010. Photo by Jimmy Jeong

 

It just happens that this industrial heartland is also considered very fertile farmland. How close should refineries be allowed to be built near our food source?

Barb Collier stands at her mother and grandparents' home near Fort Saskatchewan, Alberta home on June10, 2010. Barb Collier is testifying in an Energy Resources Conservation Board hearing on a proposed new bitumen upgrader in the area by France's Total oil company. Photo by Jimmy Jeong

 

 

Photographing Camp He Ho Ha, 50 years and Alberta's first summer camp for people with disabilities

Seba Beach, Alberta - June 26, 2010 -  Ashley Thompson, 13, who has attended the camp for several years, plays with Cetiva Rymer, 7, and sister Shawna Thompson, who has attended the camp as a camper's companion. They are visiting Camp He Ho Ha's (health, hope and happiness) 50th anniversary. The camp is Alberta’s first summer camp for people with disabilities and the only facility in the province that accepts individuals regardless of the type or degree of their disability. PHOTO BY JIMMY JEONG

At one time, 50 years ago, it was called the camp for crippled children. There were no paved roads and resources were scarce. Today, the camp is more like a resort with skilled staff, a boat, a huge and scary climbing wall and political correctness. After spending the day with people like Ken Thomas, who was there for the opening of the camp, one thing that hasn't changed is that the camp is this wonderful place for so many people. Like other camps, it gives these kids those great camp memories. And lets kids feel like kids.

If you get a chance read the Edmonton Journal story by Mariam Ibrahim.

             

The Technical Stuff: Whenever I work on longer piece stories I travel light. One Nikon D700 with a 70-200mm lends and a D3S with a 50mm f1.4 (One-point-four, can't ask for more. Just a saying I used to say). Ok, maybe that's not super light. But that combination allows me to shoot from a distance to capture candid moments and then come in for more intimate glimpses into people's lives (something a bit wider can help with this). And if people can sense that you're an honest person they will open right up and share a part of themselves with you.

 

New Blog Post: "They're going to kill me." Portrait of Rwandan Refugee


Portrait of Charlotte Umutesi, Photo by Jimmy Jeong for the Globe and Mail.

She came to Canada five years ago as a refugee from Rwanda, fleeing a genocidaire she insists killed her husband, sister and parents. She claims the man beat her and sexually assaulted her, and has since attacked her brother after Ms. Umutesi testified against him in a tribunal. She fears he now wants to kill her, too.
—Globe and Mail article

I took this portrait of Charlotte Umutesi last week for the Globe and Mail while working with the new Globe Alberta Bureau Josh Wingrove (great writer, great person). Ms. Umutesi is poised to be the first person to be deported from Canada to Rwanda since its 1994 genocide. Because Canada does not believe her story. I highly recommend reading the article and the comments section.


Charlotte Umutesi with Her aunt Nathalie Uwantege, a French teacher, who is hoping for a last-minute intervention. Photo by Jimmy Jeong for the Globe and Mail.

The Technical Stuff: The first portrait was shot with my Nikon D700, 70-200mm lens and three lights. I put one SB800 speedlight shot through a white umbrella on the left and pointed to the wall behind her. But there was light spill on her shoulder. I put a SB800 speedlight with a Honl Grid (1/8) on the right pointed at the very edge of her face. This was so only a part of the gridded light would shine on her face. The grid kept the light tight and only highlights what it points at. The third light was a SB900 with a Ray-flash ringlight in front of her and to her left slightly. This was used as fill light to bring the levels up.

You can see more of my editorial portraits on my website.

thanks for visiting.