JIMMY SHOOTS (the blog) - Portrait | Editorial | Sports | Commerical

Manure Into Energy, Hairy Hills Bio Refinery

<br>Growing Power Hairy Hills Biorefinery Selects - Images by Jimmy Jeong

I had the opportunity to spend a day with Bern Kotelko, whose family owns Highland Feeders near Vegreville, Alberta. They have a 36,000 head of cattle feedlot and are now building a bio refinery to turn all that manure into energy. Once his 100-million dollar venture is complete, they will be able to power a town the size of Vegreville, population 5,500.

"When the plant is completed, Mr. Kotelko expects it will take 80 per cent of his manure, enough to power a town the size of Vegreville, population 5,500, which lies 20 kilometres to the south. Mr. Kotelko insists the process also solves the tricky economics of ethanol fuel, whose production typically eats up a lot of external energy. In his model, biogas from the feedlot will also power an ethanol refinery on the site, providing big energy savings. The refinery, using cattle-feed wheat as an input, will also turn out distillers' grains that go back to the feedlot for cattle nourishment. Thus, the plant operates as a closed loop – from manure to energy to cattle feed back to manure."

—from the Globe and Mail Story http://bit.ly/b4UFa0

I really hope this type of innovation continues. What do you think? Does our future lie in poop?

BTW, I'm trying out this new slide show gallery option. It allows you to see a large full screen version. You can also embed the gallery on your own site.

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Filed under  //   alberta   editorial   energy  

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Super Luo Jubo

I love this jube photo of Luongo after Sidney Crosby scored the winning goal against the USA. The photo is by super sports photographer Donald Miralle.

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Pictures of the Year International

There are some great winning entries at the 67th POYi photography awards. Interesting to see that quite a few of the winning entries, especially for documentary stories, are in black and white.

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Black Pioneers Heritage Singers | Edmonton Portrait Photo


Edmonton - December 13, 2009 - Hugh French, Junetta Jamerson and Sierra Jamerson are part of the Black Pioneers Heritage Singers.

I had the opportunity to photograph this amazing Edmonton gospel group for Avenue Magazine. They are a gospel group dedicated to preserving the style of vocalizing and musicianship that Alberta's Black pioneers brought with them from the southern United States nearly a century ago.

It’s a pleasure to photograph portraits of such a dynamic group of people. Taking photographs of people with character is just a matter of pointing the camera in the right direction and letting them be themselves.


Quenten Brown (on piano), Hugh French, Junetta Jamerson and Sierra Jamerson are part of the Black Pioneers Heritage Singers.

I took the photos in colour originally, but for me the first photo worked much better as a Black & White photograph. When photographs are in B&W, you are not distracted by colours that might unintentionally grab your focus. Also, a B&W photograph lets your eyes dwell on the transitions of greys and brings out texture and character lines.

The Technical Stuff: The key (main) light in both photographs was from a Nikon SB800 shot through a white umbrella and held high and near the subjects. The secondary light was a Nikon SB900 with a Rayflash ring light set back behind the group and used to separate them from the dark background.

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Filed under  //   editorial   lighting   portrait  

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Great BBC 2010 Winter Olympics Commercial

Really, the British just seem to have a better a sense of style. Is bowling a winter sport?

Here is the one from the US broadcaster NBC

And here is Canada's official broadcaster CTV

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One of First Movies Shot All on DSLR Launches Trailer & Heads to Sundance

A DSLR Canon 5d Mark II was used to shoot this 9-minute short film. Do you notice a difference in quality?

Here is an excerpt from the interview with director Joshua Grossberg on the livebooks blog.

MJ: Did shooting with a DSLR significantly change the way you thought about directing the film?

JG: Absolutely! Before the 5D, I took a rather dim view to digital filmmaking, mainly because I had yet to see a camera — the Red included — that I thought truly lived up to the persistence of vision that comes with celluloid and that didn’t make me aware of the fact that I was looking at pixels. While you’re still dealing with electronic image processors and mega-pixels with the 5D, the results blew me away, particularly in what the DSLR could achieve in low-light situations. The wide latitude it gives filmmakers allows us to do, for instance, magic-hour filming without having to rent expensive HMIs and other cumbersome equipment to get the exposure.

read more here

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Filed under  //   canon 5d Mark II   video  

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Haiti through the Lens of Canadian Photojournalists

Here is a round up of some of the photo galleries being produced by Canadian photojournalists. Much of this info was gathered by members on http://www.npac.ca

The Globe and Mail's Peter Power http://bit.ly/6HCMtz

The Toronto Star's Lucas Oleniuk http://bit.ly/7m6ES6
The National Post's Tyler Anderson http://bit.ly/7RAEnt
La Presse's Patrick Sanfacon,Ivanoh Demers and David Boily http://bit.ly/5reUAm
Dominic Nahr for the Wall Street Journal http://bit.ly/5bewqI
Montreal Gazette's Phil Carpenter http://bit.ly/H4ZSy
The Chronicle Herald's Tim Krochak who was embedded with the HMCS Athabaskan http://bit.ly/4kR2C8

The Canadian Press' Adrian Wyld and QMI's Andre Forget was also there.

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Robert Seale Photography Blog

One of the great Sportrait (sports portraits) photographers gives a great look at how he shoots for Sports Illustrated. Take a look through his blog and portfolio for inspiration and the limits of possibilities.
jj

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NPAC Blog Day 5 - EnCana Pipeline Bomber | Edmonton Photographer

This is my final post to the NPAC blog. January 8, 2009.

I got the call from The Canadian Press at 10:30am this morning. There were reports that the RCMP had made an arrest in north western Alberta near the BC border in connection to the EnCana bombings. It was near Hythe, Alberta which is in between Dawson Creek, BC and Grande Prairie, Alberta — six hours from where I was.

Made some quick calls to other photographers I knew to see if I could find some more information. Found out that the next flight out was at 1:30. So, I called CP to get the OK to book a flight. Luckily they agreed, because I wasn’t looking forward to the drive. I was on the road at the time so I booked the flight on my iPhone. Packed a pair of socks, underwear and a toque and out the door with my gear.

All my gear fits nicely in my Think Tank Airport International rolling case which fits the requirements for carry on. I don’t want to risk losing my gear by checking in luggage. My kit includes 2 Nikon bodies, 50 f1.4, 70-200 f2.8, 17-55 f2.8, 300 f2.8, a 1.4x teleconverter, 2 flashes, power inverter and my laptop.

The news reports that Wiebo Ludwig is the one arrested. But no charges have been laid. He is an Alberta activist that was convicted of bombing oil and gas wells in the ’90s. But this time around he was earlier in the year apparently helping the RCMP find the EnCana bomber.

Find out that the flight is delayed by an hour. Damn. I’m worried about the light. I know I need to get some scene setting shots before it gets too dark. Check in to find any more news. Make a quick call to my wife, sounds like we won’t be going skating tomorrow.

We land in Grande Prairie at 3:30pm. The plane was full of media: Global TV, CTV, The Edmonton Journal, a huge CBC crew, and a film team from the National Film Board. I grab a rental car and follow Edmonton Journal photographer Shaughn Butts and head out to Trickle Creek Farm which belongs to Ludwig.


A grain elevator in Hythe, Alberta.

After 70 clicks on the road, we’re the first to the scene. But the RCMP has blocked if off so that we can’t even see his farm. There’s news that a huge search team is on the farm and they plan on working all through the night. So, I shoot the obvious and early shot of the RCMP blocking the road. I have nothing else. I file the photos I have because CP needs to get these out right away for their online clients.

The grace of the photo gods shine down upon me. Wiebo Ludwig’s family shows up. Awesome, I have relevant subject matter and people in my photos now.


Wiebo Ludwig’s wife Maime walks out of her truck and talks to media near her home.

Wiebo’s wife Maime shows up with three of their sons. Richard Boonstra, the head of the other big family here shows up and talks to media. None of them try to elude us. In fact, they seem to want to talk. I take my shots and then head back to my car to file. The photos seem to be taking an eternity to send over my laptop which is tethered to my iPhone. I curse. And then curse some more. I open the photos again and resize them making them smaller. And then send again.

The sun is fading fast. The pace slows to a crawl and there really isn’t much left to shoot. Most of the media has left but I take a chance and stick around. There are two big buses here and apparently there will be a shift change of RCMP who are searching the farm. I imagine a shot of an army of RCMP coming down the road and getting on the busses.

I wait. And wait some more.

Screw it. It’s pitch black now. So I head back into Grande Prairie and meet up with the Journal crew. We eat. And then we go bowling. Take care everyone. It’s been fun and an honour to blog these past few days for NPAC.


Edmonton Journal Photographer Shaughn Butts apparently bowling the wrong way.

I'll be posting to my site http://www.jimmyshoots.com about my Edmonton photography and editorial assignments soon.

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Filed under  //   assignment   editorial  

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NPAC Blog Day 3 - This Might Be The Best Spot News Photo I've Seen

This is my third day post for the News Photographers Association of Canada.

So, one of the things that I do during my usual week is to post to my own blog. This would be this week’s entry. (Yes, my NPAC blog for today is my other blog posting.)

For photographers, one of the greatest compliments you can give is the phrase, “I wish I took that photo.” (Of course this might also be a tell about our egos.) And this is how many of my colleagues and I felt when we saw this photo by Shaughn Butts taken on the night of October 1, 2006.

This is his account of a man known on Edmonton streets as Preacher.

 


EDMONTON, AB. OCTOBER 1, 2006 - Eugene Michael Falle known on the streets as Preacher, 32, sits on the third-floor ledge of the Wyser Manor apartment building on October 1, 2006 at 9518 102 A Ave. where a dead body hangs head-first from a nearby window. Victim was Shane Chalifoux, 18. Photograph by: Shaughn Butts/Edmonton Journal

The Call
I was at home and it was about ten o’clock. I live close to downtown and so I’m able to respond to things quickly. A cop reporter called me and said that there was a homicide at a rooming house downtown. I knew that because it was late, it would either have to be a great picture or it would be something we would pick up on Monday morning.

I didn’t hear back from the reporter again. But I wished I had. I wished I had some preparation for what I was about to see. Because I think I would of reacted differently to it.

When I got there I parked my car. It was probably the strangest scene I’d ever seen. I was familiar with the building. It was called Wyser Manor and I knew it because it was a shithole. It was a drug den. It was full of assholes and it had been recently renovated. I parked close by and walked to the main door, which faces south. There was a bunch of cops there. Immediately I was spotted by a staff sergeant which is something I always try to avoid. I always try to avoid bars because they will either run to you and say “no comment” or “PR is on their way” or they will point towards the furthest sidewalk that they can see. “The edge of the horizon, go over there.”

  A Guest To the Show
Anyways, I was busted right away by him but he could not of cared less about me. So, I thought this is really weird. There was no tape around the scene so I didn’t know where the scene was. All of a sudden I saw the reporter. She was huddled in the bushes further west down the street.  I thought, “this is weird man.” She was motioning to me and I was watching the cops. I still didn’t know what was going on and why she would be down there. So, I peaked around the corner because I heard someone talking. I saw a cop who was standing in a parking lot beside the building and talking to somebody. He was looking up. I didn’t want to disturb what was going on so I put my cameras down. I peaked around the corner from across the street. And I saw a man sitting there—on the ledge.  I still hadn’t seen the body yet. But I saw this man and I thought, this is crazy. This is supposed to be a homicide and they’re trying to talk this guy down.

I talked to the reporter. And she said, “you got to look further around the corner.” So I came around and there was this corpse hanging out the window. And beside that was this guy. Somehow if I could have been able to take that picture I think that would have been a killer photo. But I didn’t want to influence the scene (by attracting attention to myself). I felt like I was a guest in that whole scenario. And I knew that I couldn’t take pictures there.

 

So, I went back to my car and I drove to the other side with the Preacher and the body in the line of site. I drove down into that vacant parking lot and got out my 300(mm lens) and I shot from the parking lot. I actually shot it from my car.

I took about 15 images and then he got up and walked inside. It was over that quickly.

In hindsight I wished I had been able to move around and get angles but really I got there at the tail end of that whole thing. So, when he went inside he was tasered. He was tasered at least twice. I could see the blue flashes in the room. I drove back down to the front of the building where I initially started and I got him coming out of the building in cuffs. He was covered in blood and tattoos. That was it. I was there less than 15 minutes, for sure.


EDMONTON, AB. OCTOBER 1, 2006 - Eugene Michael Falle known on the streets as Preacher, 32, is escorted out by police at Wyser Manor apartment building. Photograph by: Shaughn Butts/Edmonton Journal

Stop The Presses
I called the desk right away and I said that I think I got a pretty good picture. It was 10:30 by then and they said that if you can get the picture in within 15 minutes we will take a look at it, we’ll see. I sent it in and the guy on the desk called me back and he said, “That is the greatest picture. We’re ripping front page. That’s going front page.”

It was a big risk for me at that time to get in my car and drive down the alley but it was my only option. If I would of stood there and started clicking away I might of gotten a picture off but who knows what of happened. I would have enraged those cops and I could have influenced the outcome of whatever happened that night. I wouldn’t want to do that. Because the guy up there hadn’t noticed me yet. The cop talking to him hadn’t noticed me yet.

It came out later in court that the guy who was killed had originally broke into Preacher’s apartment. And Preacher defended himself, or so he claimed. He stabbed him something like 37 times (police say he was stabbed 75-100 times). He pulverized him. And then pushed him out the window.

What I remember most of that picture, oddly enough, is when I would ask people about that picture they would say that it’s a nice picture of a guy on a ledge. For most people I had to point out the dead guy.



The kid lived in Velika Kladusa, Bosnia actually. He was about 10, when he lost his arm just after the war in Bosnia ended, and he and his friend found a discarded rifle. They were taking turns posing with the gun for photographs as they had seen their fathers do. The friend was holding the gun when it discharged and hit his friend in the arm. When I took his photo, he was shirtless initially for some bizarre reason, so I asked him to put on his shirt and I remember seeing in my mind what was about to happen, and it did. Thankfully I hit the button at the right moment. I had to wait about three weeks to see the image. It was shot on Tmax CN.
Photograph by: Shaughn Butts/Edmonton Journal

Do you still think about the photo of Preacher at all? Does it disturb you?
No. Things don’t haunt me like that. I don’t know if that’s a good thing or a bad thing but they don’t. The only thing that does haunt me is the odor of death. The smell of mort (death). If I think hard enough I can still smell Kosovo. I can still smell the cordite or the gunpowder. I can still smell the blood. I can still smell it. It smells like autumn. But intensified. And that’s the only thing that’s fresh in my mind. And that was ten years ago.

Shaughn has been with the Edmonton Journal for 15 years. He has worked at 8 papers before that and one daily, in Medicine Hat. He graduated from SAIT in 1991.

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Filed under  //   editorial   Edmonton   photographer   spot news  

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